Showing posts with label 1940's Hair Roll. Show all posts
Showing posts with label 1940's Hair Roll. Show all posts
Thursday, 5 July 2012
Wednesday, 27 June 2012
Aestheticism
This my latest collection, titled,'
Aestheticism' looks at the power of suggestion rather than a statement
celebrating the cult of beauty. Throughout the collection life imitates art as
sensuality, linking to the Aestheticism manifesto. The collection began by
looking at the inter- relationship of beauty in hair, makeup and fashion and I researched heavily into the art movement of the same name.
I worked with textures, taking inspiration from ropes and nets whilst also looking into Arabic textiles along with local folklore. Exaggerated beauty is the dominant statement in this collection, with the hair reflecting poise and strength. Black clothes resemble divinity found in ancient folklore and legend.
From the early planning stages to the day of the shoot I worked with my team to manifest my concept of 'Total Beauty' in the pictures created. Set in an Avant Garde aesthetic, the hair transcends structural elegance creating fluid geometry.
"Being a creative & visionary to me implies a constant search and desire to create new frontiers with hair. Being receptive to stimuli all around me means I can create freely using hair as my means of expression. This mindset along with the cohesion of products, hair, clothes and makeup makes Aestheticism a powerful collection.
Thursday, 19 April 2012
1920s Fashion Clock
1920'sfashion Is beautifully coordinated and
accessorised. Outfits were a feature of 1920's ladies fashions. Hats, shoes,
stockings, handbags, dresses and jewellery all came together in harmony to
create a unique and elegant style that can only be appreciated when seen in
real-life or in colour illustrations. The vibrancy is lost in black and white
photographs.
Women fashion 1920sThe 1920’s was a decade in which change dominated society. Entertainment, lifestyles, and clothing were liberated and entertaining. Nightlife was revolutionized, makeup heavier, and skirts shorter. Previously, clothing was used to reflect the femininity in women, rather than individuality. The notorious battle of the sexes emerged in fashion as well because while women were fighting for equal rights to men, they were also rebelling against the pain that they had to suffer for fashion beforehand. However, due to the dramatic changes of the 1920’s, there was much controversy over the dress of women and the actions that took place (Banner). Also known as the Free Years, the Jazz age, and the Art Deco period; the 1920’s was a period in which women were often ridiculed in the public eye since the past decades have been proven less risqué (Jailer-Chamberlain).
Men fashion 1920s
The 1920s were very much an era of formalwear, as casual clothing like we think of it today would not develop for several decades. While day and evening attire was quite distinguishable, daywear would still consist of collared shirts, baggy flat-front pants or knickerbockers, blazers or other smart jackets and leather shoes. Tweed and flannel were popular fabrics for men's daywear of this era. Eveningwear denoted tail coats and top hats, while anything more casual was seen strictly as underwear (such as t-shirts) or work wear, rather than street-appropriate attire.
Shoes and Hats Became the focus of more attention as fashion items once their visibility increased due to raised hemlines on dresses. The colour and designs of footwear and hosiery (stockings) assumed greater importance as part of co-ordinated outfits, which led designers and manufacturers to introduce new and varied colours, styles, materials, and patterns. Silk and Lisle stockings in trendy pastel shades were all the rage with women of all ages.
Millinery correspondence
lessons, like those published by the Woman's Institute of Scranton, Pa were
extremely popular and enabled women to save money by designing and making their
own hats, or even start their own millinery business.
Beaded
handbags and purses
In stunning colours and
patterns, lined with satin or silk, was all the rage during the 1920's. Beaded
belts, bracelets and necklaces complemented the pretty handbags and purses. If
you couldn't afford to buy the latest in beaded fashion accessories, you made
your own!
1920's Jewellery
Designs took their
inspiration from, and were influenced by, popular subjects of the day, like -
nature, the Orient, and ancient Egypt. Simple jewellery designs based on
geometric shapes and incorporating semi-precious stones were in vogue. Platinum
was the "in" metal of the 1920's. Flappers typically wore long
strings of beads. Beautiful jewelled brooches and long pins were used to help
hold clothes in position, while also doubling as dress ornamentation.
Hairstyles 1920s A maior progress in the transition of women's hairstyle from the traditional long-hair style of the ninteenth century- to new short hair style (BOB) 1920s were transformed into much more interesting and feminine bobs (with stylish curls and waves) in the middle to late twenties. Finger wave,Marcel wave,and shingel were the most popular haistyles of the 1920s with numerous variations of each other hairstyles like the Fton Crop were only temporary phenomenons. (Women of all ages sacrificed their long tresses on the altar of fashion.
Hairstyles 1920s A maior progress in the transition of women's hairstyle from the traditional long-hair style of the ninteenth century- to new short hair style (BOB) 1920s were transformed into much more interesting and feminine bobs (with stylish curls and waves) in the middle to late twenties. Finger wave,Marcel wave,and shingel were the most popular haistyles of the 1920s with numerous variations of each other hairstyles like the Fton Crop were only temporary phenomenons. (Women of all ages sacrificed their long tresses on the altar of fashion.
Sunday, 26 February 2012
The Return of McQueen
Alexander McQueen was a major fixture in the British fashion scene up until his tragic death two years ago. Now Sarah Burton has taken the fashion crown from HRH McQueen and never before has the brand been so alive.
It is common knowledge that the McQueen brand hasn't held any form of show in London for about ten years and their diffusion line, McQ, which was founded in 2006, has never been shown at all. That is until now. Sarah Burton is driving the McQueen brand kicking and screaming into a new era, having hosted for the first time ever a London Fashion Week show, presenting the AW12, McQ collection.
The collection itself was miles away from anything offered previously from the diffusion line. Dresses that looked as if they had been made from the purest gossamer threads, embroidered with thick, botanical prints were paraded down the catwalk along with monochrome woollen dresses and 'Vamp-ish' red lace dresses. It was definitely a stellar McQ show that harked back to the McQueen heritage whilst still appealing to a wider, more conventional audience.
Of course this is a major fashion achievement and something which has caused a flurry of excitement to sweep through the fashion crowd, but what really caught my attention was the intricate hairstyles designed by Guido Palau. McQueen has been a constant source of inspiration for hairdressers worldwide and the McQ show did not disappoint. Compared with the fashion shows Guido and I worked on during NYFW where effortlessly chic glamour was on the agenda, the McQ show presented a strong, structural look that was styled with precision.
The main look of the show and no doubt the most talked about look of the show (pictured above) was inspired by a 1940's hair roll with Guido exaggerating this technique to create an Avant Garde, high fashion appearance. The model's own hair is swept upwards and then rolled around a giant hair doughnut to create the rounded, disc appearance. It is a long and slightly painful process (for the model anyway) but it is one that is used time and time again in the world of hairdressing.
What are your thoughts on this collection? Did you like the presentation and highly stylised hair or are you just happy to see McQueen return to Britain after so long?
It is common knowledge that the McQueen brand hasn't held any form of show in London for about ten years and their diffusion line, McQ, which was founded in 2006, has never been shown at all. That is until now. Sarah Burton is driving the McQueen brand kicking and screaming into a new era, having hosted for the first time ever a London Fashion Week show, presenting the AW12, McQ collection.
The collection itself was miles away from anything offered previously from the diffusion line. Dresses that looked as if they had been made from the purest gossamer threads, embroidered with thick, botanical prints were paraded down the catwalk along with monochrome woollen dresses and 'Vamp-ish' red lace dresses. It was definitely a stellar McQ show that harked back to the McQueen heritage whilst still appealing to a wider, more conventional audience.
Of course this is a major fashion achievement and something which has caused a flurry of excitement to sweep through the fashion crowd, but what really caught my attention was the intricate hairstyles designed by Guido Palau. McQueen has been a constant source of inspiration for hairdressers worldwide and the McQ show did not disappoint. Compared with the fashion shows Guido and I worked on during NYFW where effortlessly chic glamour was on the agenda, the McQ show presented a strong, structural look that was styled with precision.
The main look of the show and no doubt the most talked about look of the show (pictured above) was inspired by a 1940's hair roll with Guido exaggerating this technique to create an Avant Garde, high fashion appearance. The model's own hair is swept upwards and then rolled around a giant hair doughnut to create the rounded, disc appearance. It is a long and slightly painful process (for the model anyway) but it is one that is used time and time again in the world of hairdressing.
What are your thoughts on this collection? Did you like the presentation and highly stylised hair or are you just happy to see McQueen return to Britain after so long?
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